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Waterman's | 32V | Black Celluloid | #2 Flex
Waterman's | 32V | Black Celluloid | #2 Flex
This Canadian 32V is an amazing writer, super expressive once the tines start flexing. The Canada 2 sits at a fine line unflexed and opens past 6x to a 4B swell under moderate pressure. You can run it as a plain daily fine and pull the variation out only when you want it, the controlled flex Canadian 2's are known for.
Waterman Canada built its pens at St. Lambert, and the Canadian side ran celluloid earlier and in more colors than the US line did. The model code goes 3 for the economy celluloid series introduced in 1929, 2 for the #2 nib, V for vest-pocket, the short format; capped it's under 11cm, posted it's a full-length writer. The Made in Canada imprints are perfect, deep and sharp, which matters at this age because polishing usually eats the imprints first.
Graded C, all parts original. There are deeper marks at the end of the barrel; you won't catch them face on, but hold the pen at an angle to the light and they will show. A fresh silicone sac is fitted, the right pairing under celluloid nitrate since it won't off-gas inside the barrel, and it opens the pen to any ink you like. Store it nib-up, since silicone can let ink creep toward the feed.
Tested on Tomoe River 68gsm White with Pelikan 4001 Brilliant Black.
Technical Specifications
Technical Specifications
Brand: Waterman's
Model: 32
Production Year: 1930
Material: Black Celluloid Nitrate
Trim Color: Silver
Nib Size: 2
Nib Material: 14k gold
Nib Grind: FM
Nib Flexibility: g
Line Variation: - (6.4x)
Pen Length: 107.46
Pen Grip Section:
Restorer: Heron's Mooncake
Restoration Grade: C
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Waterman's | 32V | Black Celluloid | #2 Flex
Get it between - and -.

Appendix for Listing Details
Sweating the details is fundamental to understanding, appreciating, and knowing the peice of history you have in your hands.
All pens are filled and tested, not just dipped in ink, which does not reflect writing characteristics whatsoever.
Line Variation Standard
Different restorers have different standards for line sizing and especially for vintage pens, the printed tipping size will not always be accurate due to repairs/grinds/etc. Please use this as a frame of reference for consistency.
Flexibility Standard
Nib flexibility is such a controversial topic, but there needs to be some level of consistency so please take this table as a frame of reference for my restorations and as someone who is writing in a calligraphic/spencerian style of cursive script. Without objective measurements, flexibility terms such as wet noodle are useless as someone with stronger forearms and grip strength will make even manifold nibs into a wet noodle.
Restoration Ratings
These are guidelines incorporated from various online sources not limited to Reddit, David Nishimura, etc.