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Waterman's | 55 | Red Mottled Woodgrain | #5 Flex
Waterman's | 55 | Red Mottled Woodgrain | #5 Flex
Pick this pen up and the ebonite feels warm in the hand, that vintage warmth people talk about; nothing brittle or crusty here. The woodgrain restoration came out with the grain lines matching straight across the section joint, and the mottle on this example runs an unusually bright orange against the red.
Woodgrain mottled hard rubber joined Waterman's catalog in 1923, and the name is literal, red and black mixed like the grain in sawn wood. The 55 code is plain enough, 5 for lever-filler and 5 for the nib size, a 14cm pen from the big-nib family that topped out at the 58. This one keeps its 18kt plated trim, and it's one of the best proportioned large pens for most folks.
The #5 is super snappy, a stubbish smooth point with a tight snap on the return and very well controlled flex, better than 7x up to a 6B swell at full pressure.
Graded C for the worn imprints that come with a well loved and well used pen. A latex sac is already fitted, the classic pairing for hard rubber, and a swap to silicone is available on request if you want to run more troublesome modern inks.
Tested on Tomoe River 68gsm White with Pelikan 4001 Brilliant Black.
Technical Specifications
Technical Specifications
Brand: Waterman's
Model: 55
Production Year: 1923
Material: Red Ebonite
Trim Color: Gold
Nib Size: 5
Nib Material: 14k gold
Nib Grind: FM
Nib Flexibility: g
Line Variation: - (7.6x)
Pen Length: 140.67
Pen Grip Section:
Restorer: Heron's Mooncake
Restoration Grade: C
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Waterman's | 55 | Red Mottled Woodgrain | #5 Flex
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Appendix for Listing Details
Sweating the details is fundamental to understanding, appreciating, and knowing the peice of history you have in your hands.
All pens are filled and tested, not just dipped in ink, which does not reflect writing characteristics whatsoever.
Line Variation Standard
Different restorers have different standards for line sizing and especially for vintage pens, the printed tipping size will not always be accurate due to repairs/grinds/etc. Please use this as a frame of reference for consistency.
Flexibility Standard
Nib flexibility is such a controversial topic, but there needs to be some level of consistency so please take this table as a frame of reference for my restorations and as someone who is writing in a calligraphic/spencerian style of cursive script. Without objective measurements, flexibility terms such as wet noodle are useless as someone with stronger forearms and grip strength will make even manifold nibs into a wet noodle.
Restoration Ratings
These are guidelines incorporated from various online sources not limited to Reddit, David Nishimura, etc.